{"id":628,"date":"2021-05-06T16:26:52","date_gmt":"2021-05-06T16:26:52","guid":{"rendered":"http:\/\/khayalmusicworld.in\/?page_id=628"},"modified":"2021-07-08T06:14:26","modified_gmt":"2021-07-08T06:14:26","slug":"instruments-madhyama-pratham","status":"publish","type":"page","link":"https:\/\/khayalmusicworld.in\/?page_id=628","title":{"rendered":"Instruments Madhyama Pratham"},"content":{"rendered":"\t\t
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Madhyama Pratham<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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From this course onwards, the student of music should be able to play solely with the tanpura and without the accompaniment of the harmonium. This course also introduces the student to the vilambit khyaal, as well as to the dhrupad style of music.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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syllabus<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1. Morning Riyaz with Shuddha & Komal Swara.<\/span><\/p>

2. Bada Khayal Raga Exploration.<\/span><\/p>

3. Dhrut Khayal Raga Exploration.<\/span><\/p>

4. Dhrupad – Dhamar.<\/span><\/p>

5. Learning Tarana.<\/span><\/p>

6. Learning About Merukhanda.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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7. Learning Dhun, Bhajan, Lokgeet, Natyageet.<\/span><\/p>

8. Knowing Different Swara Types.<\/span><\/p>

9.Vilambit – Dhrut Taal & Laya Exploration.<\/span><\/p>

10. Practice Session \/ Exam Preparation.<\/span><\/p>

11. Theory.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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1. Morning Riyaz with Shuddha & Komal Swara.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Improving riyaz techniques, Understanding morning riyaz, shuddha, komal, tivra swara riyaz . Moving further with morning raga riyaz.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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2. Bada Khayal Raga Exploration.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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More on raga vistar, aroh, avroh, pakad, vilambit bandish with vilambit taal, astai antara alap sargam & taan. Dhrut bandish along with Kalyan, Bageshri, Bhairav & Bihag raga.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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3. Chota Khayal Raga Exploration.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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More on raga vistar, aroh, avroh, pakad, Gat – bandish, astai-antara alap, astai- sargam, astai-taana. Also covering raga Hamir, Asavari, Malkouns, Shankara, Deskar, Mand.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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4.\u00a0 Dhrupad – Dhamar.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Preparing dhrupad & dhamar in any two raga. Learning Dhrupad bandish with choutaal (dhugun)<\/span> and Dhamar bandish with dhamar taal.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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5. Learning\u00a0 Tarana.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Preparation of tarana in any two raga. Teentaal \u2013 tarana and Ektaal \u2013 tarana preparation.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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6. Learning About Merukhnad.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Getting knowledge about merukhand And exploring it’s mathematical aspects. practicing swara from a mathematical point of view.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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7. Learning Dhun, Bhajan, Lokgeet, Natyageet.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Preparing any one dhun in any raga. Preparing any bhajan such as Raga Patdeep bhajan, baje murliya baje. Preparing lokgeet such as Kya leke ayo bande. Preparing a Natyageet such as Sakhi mand zalya.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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8. Knowing Different Swara Types.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Knowing Khatka, Murki, Jod swar. Detailed study, exploration and practice.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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9. Vilambit- Dhrut Taal & Laya Exploration.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Exploring Vilambit Ektaal, zaptaal & teentaal. By hand preparing Taal dadra, rupak , keharva, zaptaal,\u00a0<\/span>ektaal, choutaal, dhamar, teentaal etc. with dugun.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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10. Practice Session \/ Exam Preparation.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Listening to Bada khayal – chota khayal raga in syllabus, dhrupad – dhamar, tarana, bhajan, lokgeet, natyageet. Exercising to identify taal, raga from recordings.<\/span><\/p>

Complete practice sessions for palate, bada khayal, chota khayal, dhrupad \u2013 dhamar, tarana, bhajan, lokgeet, natyageet, etc. Learning to bandish notation, taal practice and switching of ragas from exam point of view.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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11. Theory.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Practicing writing of notations, comparing all ragas to understand differences, writing of bandish notations and all taal information with dugun. Understanding definitions and learning more about<\/span> dhrupad-dhamar, vilambit khayal, chotakhayal, bhajan , lokgeet, natyageet ,bollywood music etc. Recollection of rules of Shadja-madhyama, shadja-pancham and vadi-samvadi relation swara. Brief introduction of north indian music and south indian music.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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READY TO START YOUR MUSICal JOURNEY ?\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tCALL NOW<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Madhyama Pratham From this course onwards, the student of music should be able to play solely with the tanpura and without the accompaniment of the harmonium. This course also introduces the student to the vilambit khyaal, as well as to the dhrupad style of music. syllabus 1. Morning Riyaz with Shuddha & Komal Swara. 2. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"iawp_total_views":9,"footnotes":""},"class_list":["post-628","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/khayalmusicworld.in\/index.php?rest_route=\/wp\/v2\/pages\/628","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/khayalmusicworld.in\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/khayalmusicworld.in\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/khayalmusicworld.in\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/khayalmusicworld.in\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=628"}],"version-history":[{"count":49,"href":"https:\/\/khayalmusicworld.in\/index.php?rest_route=\/wp\/v2\/pages\/628\/revisions"}],"predecessor-version":[{"id":3830,"href":"https:\/\/khayalmusicworld.in\/index.php?rest_route=\/wp\/v2\/pages\/628\/revisions\/3830"}],"wp:attachment":[{"href":"https:\/\/khayalmusicworld.in\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=628"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}