{"id":3933,"date":"2021-07-08T11:39:29","date_gmt":"2021-07-08T11:39:29","guid":{"rendered":"https:\/\/khayalmusicworld.in\/?page_id=3933"},"modified":"2021-07-08T11:57:57","modified_gmt":"2021-07-08T11:57:57","slug":"instruments-madhyama-purna-1","status":"publish","type":"page","link":"https:\/\/khayalmusicworld.in\/?page_id=3933","title":{"rendered":"Instruments Madhyama Purna 1"},"content":{"rendered":"\t\t
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Madhyama Purna<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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This course expects the student to have attained a basic level of competence in the overall understanding of music. This is best tested through the way the pupil responds to the tanpura. Thus, he\/she will be required to tune the tanpura to the appropriate swaras.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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syllabus<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1. Gharana Style Riyaz.<\/span><\/p>

2. Techniques To Practice Thaat.<\/span><\/p>

3. Deep Study of Bada Khayal & Exploring Raga.<\/span><\/p>

4. Dhrut Khayal- Raga Exploaration.<\/span><\/p>

5. Comparative Study of Ragas.<\/span><\/p>

6. Learning Taan prakar.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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7. Deep Study of Dhrupad-Dhamar.<\/span><\/p>

8. Learning Dhrut Tarana & Bandish ki Thumri.<\/span><\/p>

9. Learning Dhun, Gazal, Bhajan, Lokgeet, Natyageet.<\/span><\/p>

10. Vilambit, Dhrut Taal & laya prakar Practice.<\/span><\/p>

11. Art of listening. Practice Session \/ Exam Preparation.<\/span><\/p>

12. Theory.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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1. Instrumental – Gharana Style Riyaz.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Understanding instrumental riyaz in gayaki style, swara lagav, kan swara, alapi, taal, simple zala, sound modulation. Developing the riyaz technique & practice to achieve perfection.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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2. Techniques To Practice Thaat.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Practicing all 10 thaats. Deep understanding by explaining individually. Understanding raga practice and that raga or janak raga.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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3. Deep Study of Bada Khayal & Exploring Raga.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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More on Raga vistar (mandra through tar saptak), aroh-avroh-pakad, bada khayal bandish with notation, bandish with Vilambit taal. Understanding structure of the bandish, astai-antara alap, astai sargam, simple zala & taan. Also learning Gat Chota khayal bandish. Self study to detect bandish notation, astai-antara alap, astai taan. Preparing two ragas from Bhimplas, Puriya, Dhanashri, Chayanat, Asavari, Jayjaywanti.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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4. Chota Khayal – Raga Exploaration.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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More on raga vistar, aroh-avroh-pakad, gat bandish with notation, different taal. Astai \u2013antara alap, astai sargam, layakari, astai taan for all ragas. Self study of 1 raga bandish preparation with notation along with 2 raga preparation astai-antara akar alap and taan. Ragas Kamod, Bahar, Bhairavi, Hindol, kalingada.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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5. Comparative Study of Raga.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Learning difference between the ragas, comparative study of raga with a similar raga notes<\/span> to focus on challan, detailed practicing of ragas.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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6. Learning Taan Types.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Understanding & practicing taan prakrat, sapat-saral taan, vakra taan, koot taan, Mishra taan, gamak taan. Focus on practicing taan & taan prakar considering different aspects of taan practice. Zala & simple pattern of zala practice.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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7. Deep Study of Dhrupad-Dhamar.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Preparing dhrupad in any 2 ragas. Focus on Swara vistar of nom-tom alapi pattern . Learning Dhrupad bandish in different taal, astai alapi and layakari (dugun-tigun-chougun).<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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8. Learning Dhrut Tarana & Bandish ki Thumri.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Preparing 2 taranas in a raga. Understanding nom-tom type alapi along with tarana with different taal, astai alap layakari, and taana. Learning about Bandish ki thumri and exploring aesthetics of Bandish ki thumri. Learning with taal & preparing for one Bandish ki thumri.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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9. Learning Dhun, Gazal, Bhajan, Lokgeet, Natyageet.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Preparing one dhun in any raga. Raga based Gazal yaman like ranjishi sahi. Bhairavi raga based Bhajan. Any lokgeet such Kesariya balama. Preparing any natyageet such as Ghei Chhand Makrand.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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10. Vilambit & Dhrut Taal Practice.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Learning & practicing vilambit ektaal, teentaal, zaptaal & rupak study. Along with dhrut taal with dadra, rupak, keherva, zaptaal, ektaal, choutaal, dhamar, jhoomra, dipchandi, addha teentaal, teentaal. Every taal detailed information with dugun, tigun and chougun.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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11. Art of listening. Practice Session \/ Exam Preparation.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Listening to all gaan prakar (bada khayal, chota khayal, raga, dhrupad-dhamar, tarana, gazal, bhajan, lokgeet, natyageet). Dedicated practice session alongside Palta exploration, taana, laya-taal practice etc .<\/span><\/p>

12. Theory.<\/p>

Comparative raga study, dhrupad-dhamar\u00a0knowledge, definations of purvang, utarang, khatka, murki, gamak, andolan\u00a0etc. Division of 22 shruti, raga jati, biography, taan prakar, that paddhati,\u00a0gayak ke gun-dosh etc .<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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READY TO START YOUR MUSICal JOURNEY ?\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tCALL NOW<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Madhyama Purna This course expects the student to have attained a basic level of competence in the overall understanding of music. This is best tested through the way the pupil responds to the tanpura. Thus, he\/she will be required to tune the tanpura to the appropriate swaras. syllabus 1. Gharana Style Riyaz. 2. Techniques To […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"iawp_total_views":3,"footnotes":""},"class_list":["post-3933","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/khayalmusicworld.in\/index.php?rest_route=\/wp\/v2\/pages\/3933","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/khayalmusicworld.in\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/khayalmusicworld.in\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/khayalmusicworld.in\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/khayalmusicworld.in\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3933"}],"version-history":[{"count":4,"href":"https:\/\/khayalmusicworld.in\/index.php?rest_route=\/wp\/v2\/pages\/3933\/revisions"}],"predecessor-version":[{"id":3938,"href":"https:\/\/khayalmusicworld.in\/index.php?rest_route=\/wp\/v2\/pages\/3933\/revisions\/3938"}],"wp:attachment":[{"href":"https:\/\/khayalmusicworld.in\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3933"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}