{"id":2684,"date":"2021-06-01T18:37:16","date_gmt":"2021-06-01T18:37:16","guid":{"rendered":"https:\/\/khayalmusicworld.in\/?page_id=2684"},"modified":"2021-06-02T07:50:39","modified_gmt":"2021-06-02T07:50:39","slug":"tabla-madhyama-purna","status":"publish","type":"page","link":"https:\/\/khayalmusicworld.in\/?page_id=2684","title":{"rendered":"Tabla Madhyama Purna"},"content":{"rendered":"\t\t
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Madhyama PURNA<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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syllabus<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Practical Exam<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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1. Ability to play different Taal on Tabla with single speed. Simultaneously\u00a0recite Aad, Double, Truplate, Quadruple and Sawagun (Kuaad) and come\u00a0to the single speed or play the same on Tabla.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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2. To be able to play Tilwada, Zumra and Vilambeet Ektaal etc. in Vilambeet\u00a0Laya and coming on some by playing a short Tukda or Mukhda.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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3. Ability to give information about which Taal\u2019s thekas are played with which\u00a0Gayki (singing style) and in which Laya.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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4. Recite Kayda, Rela and Tukda Etc. by keeping Teentaal or Zaptaal\u2019s taali\u00a0(cycle\/Aawartan) on hand.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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5. Play Delhi, Ajrada and Farukhabaad Gharana Kaidas in double and\u00a0quadruple speed.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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6. To be able to play Kaida which has Tirakita, Dhirdhir, Dinganag bol in it\u00a0with four paltas and a Tihai.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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7. Ability to present tabla solo at least for 15 minutes with Lehera\u00a0accompaniment in Zaptaal and Teentaal exploring all the aspects\u00a0such as – Peshkar, Kaida, Rela, Gat, Tukda, Chakradhaar Etc.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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8. Ability to recognize Sum and Mukhda of different singing styles, also to\u00a0be able to provide accompaniment to it by playing the right theka.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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9. Able to read bol or a composition which is written in notation system\u00a0and play it in right laya (speed).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Written Exam<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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1. State the importance of Sum, Taali, Kaal and Khanda in Taal.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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2. To be able to write single, double and quadruple speed in notation\u00a0system of all the taal you have learned.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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3. To be able to write all the Kaidas, Relas, Gats and Tukde Etc. by\u00a0utilizing notation system in Rupak, Zaptaal and Teentaal.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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4. Ability to write Taal Tilwada and Zumra in notation system.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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5. By using Pt. Bhatkhande and Pt. Paluskar notation system, write\u00a0double and quadruple speed of all Taal\u2019s Thekas covered in the\u00a0syllabus.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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6. Detailed information of \u2018Dashaprana of Taal\u2019.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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7. A detailed study of the both main baaj and all the Gharanas\u00a0created on the basis of these two Baaj.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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8. Give definitions of Peshkar, Kaida, Rela, Gat, Tukda, Chakradhaar\u00a0and Tipalli Etc. with an example.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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9. Create write Tihai in different Taal by using notation system.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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10. Give information on the following singing styles and Taal that\u00a0have been played with it – Khayal, Tarana, Bhajan, Dhrupad, Dadra.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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11. Detailed study of the Gharana and its playing style in which you\u00a0are learning under. Also the introduction of the legendary gharanas.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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READY TO START YOUR MUSICal JOURNEY ?\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tCALL NOW<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Madhyama PURNA syllabus Practical Exam 1. Ability to play different Taal on Tabla with single speed. Simultaneously\u00a0recite Aad, Double, Truplate, Quadruple and Sawagun (Kuaad) and come\u00a0to the single speed or play the same on Tabla. 2. To be able to play Tilwada, Zumra and Vilambeet Ektaal etc. in Vilambeet\u00a0Laya and coming on some by playing […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"iawp_total_views":191,"footnotes":""},"class_list":["post-2684","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/khayalmusicworld.in\/index.php?rest_route=\/wp\/v2\/pages\/2684","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/khayalmusicworld.in\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/khayalmusicworld.in\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/khayalmusicworld.in\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/khayalmusicworld.in\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2684"}],"version-history":[{"count":10,"href":"https:\/\/khayalmusicworld.in\/index.php?rest_route=\/wp\/v2\/pages\/2684\/revisions"}],"predecessor-version":[{"id":2835,"href":"https:\/\/khayalmusicworld.in\/index.php?rest_route=\/wp\/v2\/pages\/2684\/revisions\/2835"}],"wp:attachment":[{"href":"https:\/\/khayalmusicworld.in\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2684"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}